• Instructions for Becoming a Sketcher

    Recently on the IXDA discussion list somebody asked whether sketching is a legitimate part of the pre-wireframing process. The list responded with a resounding “yes!” I was happy to see so many people argue for sketching’s rightful place in our work, but it also made me realize that this question – to sketch or not to sketch – isn’t really a question any longer.

    Over the past few years, we’ve seen sketching grow from being the hot “new” method to just another skill we use to get the work done. Which means that sketching, and more importantly learning to sketch, is a rite that a lot of us now share. In a small ritual to mark the passage from learning to be a sketcher to actually being one, I thought I’d look back and share the steps I took to get here.

    Leah Buley

    Instructions For Becoming a Sketcher
    Step 1: Surround yourself with creative people
    Start working with people who sketch, or seek out your sketchiest friends, and pay attention to what they do. Give in to your envy, for it will motivate you, but also be observant. Watch other people’s techniques, and copy what you like. Discover the vital importance of line weight in calling attention to the things that matter. Learn how cross hatching and lined backgrounds can be used to add shadow, depth, and a sense of contrast to sketches. Notice how meditative the process of stippling is and how graphic the effect, but realize in the end that it's very time consuming, and vow to use it only on special occasions.

    Step 2: Draw simple shapes
    Discover that when you draw quickly, without intention, it is sloppy and awkward. Draw basic shapes. Slowly. Notice that boxes come easier when you take a deep breath and prepare yourself mentally for straight lines and right angles. Realize that even something as simple as four straight lines requires a measure of focus.

    Step 3: Take a class
    Sign up for a drawing class. Invest in the tools. Good tools will make you eager to play. Attend class and pay attention when the teacher tells you to use your shoulder and hold your wrist straight. They are the keys to finding your own line quality, and line quality is the unique signature of every sketcher. Finish out the semester if you can, but don't beat yourself up about it if life intervenes. Learn that sketching doesn't just happen in a semester anyway. It's a lifelong practice.

    Step 4: Buy books
    Read anything you can find about comics, storyboarding, and how to draw quickly.  Create a little library full of books like these. If you can, get your hands on a slim little volume called Cartooning Philosophy and Practice by the excellent, disturbed cartoonist Ivan Brunetti. Do the exercises. Draw a car in five minutes. Then in one minute. Then in thirty seconds. Then in five seconds. Realize that good sketching is visceral, and that visceral sketches come not from painstaking verisimilitude, but mortal intuition.

    Step 5: Spot the trend
    Look around and notice that everywhere you go, you see sketching. Everywhere! In the title credits of movies. In ads on busses. In presentations at conferences (maybe even your own). Realize that you might be caught in the upsweep of a sketching fad. Welcome it, and feel appreciative for whatever brought this friend to your door.

    Step 6: Find your place in history
    Speculate to whomever will listen that sketching is important in our lives right now because widespread technology adoption is putting a digital layer between us and our creative tools. Reaffirm to yourself your innate creative potential as a human being and see your own connection to sketchers throughout history — from Leonardo da Vinci to the cave painters of Lascaux to Charles Schultz.

    Optional Step 7: Rediscover your voice
    Explore, if you are inclined, how much drawing with a pen makes you want to write with a pen. Start keeping a notebook to jot down your thoughts and see, to your surprise, that your ideas come out differently when they're written by hand. Slower. More deliberate. More reflective. Admit that, sure, technology is a great liberating force. But plant your feet and squint your eyes and declare that, even so, you’ll be damned if you ever let it disconnect you from your own precious, contemplative human solitude.

    And now? You are a sketcher.

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    Also keep your eye out for Ix, from our Austin studio, and Andrew Crow, who will be there too.


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    If you weren't able to make it the conference this year, check out www.mxconference.com, where we'll post videos in the next couple of weeks, and slides in the meantime. So far there are slides up from Brandon Schauer, Lane Becker, Ryan Freitas and Neff Hudson.

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